Discover Google Arts & Culture's online retrospective of the South African artist, which features more than 45 curated stories, virtual tours, and her early memories brought to life with AI.
Discover Google Arts & Culture's online retrospective of the South African artist, which features more than 45 curated stories, virtual tours, and her early memories brought to life with AI. Senior Lecturer, Department of Curatorial, Public and Visual Cultures, Wits School of Arts, University of the Witwatersrand Dr. Nontobeko Ntombela presents the first online retrospective of artist Dr. Esther Mahlangu on Google Arts & Culture to honor her 91st birthday. This collection features over 45 stories, archival materials, and AI-generated recreations of her early life to preserve Ndebele heritage for a global audience. You can explore the full exhibition and learn more about her artistic legacy by visiting the Google Arts & Culture website. We are celebrating artist Dr. Esther Mahlangu with a new online retrospective on Google Arts & Culture. Because some of her early history was missing, we used artificial intelligence to recreate her childhood memories based on her own stories. You can now explore over 45 exhibitions, view her murals, and learn about Ndebele culture from anywhere in the world. This project preserves her artistic legacy for you and future generations to enjoy. Today we’re sharing thefirst online retrospective of artist Dr. Esther Mahlanguon Google Arts & Culture, honoring her pioneering spirit on her 91st birthday. More than 45 stories and a rich archive covering herart,life, andlegacyare now accessible to a global audience. For many years, I have worked closely with Esther and her family. It’s a relationship built on years of research and a deep admiration for her as both an artist and a person. It was out of this long-standing connection that the vision for “‘Then I Knew I Was Good at Painting’: Esther Mahlangu, a Retrospective,” was born. My goal has always been to present a comprehensive exploration of her life and work, contributing to my long-standing research on South African women artists who have made an impact on the arts since the early 20th century. Through my research, I gathered a rich collection of her work, includinglarge-scale murals,intimate pieces, andrare archival materials. But the archives didn’t include anything from her life before 1980, so crucial pieces of her history were missing. This void challenged us to find new ways to tell her full story. A collaboration session with Esther Mahlangu, Nontobeko Ntombela, and the Google team. In collaboration with Google Arts & Culture, we usedAI to visually recreate Esther’s undocumented memories. The process brought us closer to her work and prompted further recollections from Esther herself. This project brought our curatorial and archival work together with the technical expertise of Google DeepMind and Google Arts & Culture Lab, alongside research and design studio Domestic Data Streamers’ synthetic memories initiative. Through a series ofworkshops and interviews, we were able todocument a missing periodof Mam' Esther's history, from when she started painting at age 10 until her first documented works in 1980. These stories — such asthe moment she discovered her talent for painting as a 10-year-oldusing feathers instead of a brush — became the source material for our work. Following the methodology from thesynthetic memories initiativeand using archival material, the team generated still images based on Esther’s memories. They then usedVeoto turn the images into videos that brought Esther's early days to life. The stories also contribute to the online archive of Esther’s life on Google Arts & Culture. More than45 exhibitions, curated in collaboration with Art of Contemporary Africa, Iziko Museums of South Africa, the British Museum, the Jean Pigozzi Collection, the National Museum of Women in the Arts, and Serpentine, tell the story ofhow she came to be knownin the world, through herartwork, archives,Street View, and more. Portrait of Esther Mahlangu taken at Botshabelo, c. 1980-1991; Art of Contemporary Africa |Source Esther Mahlangu: Untitled, 2014; Art of Contemporary Africa |Source The Esther Mahlangu Art Studio at the Esther Mahlangu Homestead, 2025; Art of Contemporary Africa |Source Installation of the Esther Mahlangu retrospective at Iziko South African National Gallery, 2024; Art of Contemporary Africa |Source Esther Mahlangu: Ndebele Abstract, 2019; Art of Contemporary Africa, courtesy of the Larry Warsh Collection |Source This project demonstrates a new way to approach the preservation of cultural heritage, with technology that’s guided at every step by a respect for personal memory and historical accuracy. It is my hope that this retrospective cements Esther’s place as a pivotal voice in global contemporary art, invites audiences to reimagine the possibilities of her archive, and ensures her story and her artistic vision can inspire generations to come. 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